Why Fifty is NOT the New Thirty: Tracey Jackson is coming to Square Books

Don't miss Tracey Jackson this Thursday on Thacker Mountain Radio to kick off the Double Decker Arts Festival Weekend. Her book, Between a Rock and a Hard Place: Why Fifty is Not the New Thirty, is out now at Square Books.

Not since Nora Ephron's Crazy Salad (Dear Readers of a certain age will no doubt recall her insane essay "Dealing With the Er, Problem." Or maybe you won't.) can I remember a funnier, more out-front collection that rounds up and explores the universal changes that age and the new age are bringing us all. Jackson writes about motherhood, marriage, careers, bodies, medical procedures, sex, and how these things change not only in the course of our own lives but generationally, and supplies many wacky personal anecdotes; my favorite being her fantasy about Doing It with Jon Stewart, related in a discussion of masturbation after fifty. This is not one of those books that explains how to sunnily navigate menopause and other natural disasters and pretend that it's all good; Jackson tells us what we all know anyway: getting old sucks, but we might as well laugh our saggy asses off about it. Good choice for book groups. LH

Check out an interview with Meredith Vieira here and another with Kathie Lee and Hoda here

Sara Foster and Martha Foose bring good food to Square Books

Spring is truly here and with it our palates are awakened and ready for fresh tastes.  The doors are open at Square Books and the savory smells waft in from our great restaurants on the square, making me ready to go home and get busy in the kitchen.  With two new beautiful cookbooks out, Sara Foster's Southern Kitchen, and Martha Foose's A Southerly Course, I have extra inspiration.   

Sara Foster, the owner of Foster's Market, the acclaimed gourmet stores for pick-up or eat-in in North Carolina, came to Square Books a week ago to promote her fourth (and I think best) cookbook.  Sara wanted to have samples of her recipes and graciously offered to prepare them if I could find a kitchen for her.  That is how I ended up cooking alongside a famous chef.  As Sara's pound cake from her first book has become our family standard,  I thought I'd try her  Buttermilk Pound Cake with Tangy Buttermilk Glaze (p 316), while Sara and her sister effortlessly whipped up Deviled Ham Salad (p 11), Carmelized Red Onion Tarts (p 14) and Rosemary Cheese Crackers (p 8).  We brought all these tasty treats to the store for the event that afternoon and enjoyed them with an Edward Sellers' Paso Robles Rhone.  All was delicious and  quickly gone.  The Rosemary Cheese Crackers were great plain or with a little brie and a dab of pepper jelly.  I wish Sara & Judy were still in my kitchen, but will think of them as I prepare Roasted Asparagus with Country Ham, Red-Eye Gravy and Poached Eggs (p 84) for Easter brunch.  

A few days later, Martha Foose was in town for her follow-up to the James Beard Award winner, Screen Doors and Sweet Tea, A Southerly Course.  Martha was to be on Thacker Mountain Radio with fellow Yazoo City homie, Teresa Nicholas (Buryin' Daddy).  Sadly, Martha did not have time to cook for me, but we got in a good visit, and Martha can tell some stories.  Besides being an amazing collection of everything Delta from Dandelion Cracklings, Kibbe, Burgundy Duck, Pickled Crawfish Tails, Grilled Co-Cola Drumsticks, and Satsuma Tart, A Southerly Course is as much fun to read as to cook from.  Read about Eudora Welty while waiting for that Peach Shortcake to come out of the oven. CFR
(from left: Sara Foster, Lyn Roberts, and Sara's sister, Judy) 

National Poetry Month is APRIL

April is National Poetry Month and every day in April we will be posting a new poem in the front window of the store. We kicked off the month with a poem by Billy Collins from his new book Horoscopes for the Dead. You can see the new poem in the window each day by following us on twitter or just passing by the store. Be sure to come in and check out our poetry section too.

Joe Hill wears horns and reads HORNS

   A nice crowd appeared on a beautiful afternoon at Off Square Books to meet Joe Hill, on tour with the paperback edition of Horns.  Joe took a seat near the signing table and immediately began chatting with those who were seated for the reading, his sense of humor and conversational engagement cruising along at a fast clip.   
   As he began his reading with the first sentences – “Ignatius Martin Perrish spent the night drunk and doing terrible things.  He woke the next morning with a headache, put his hands to his temples, and felt something unfamiliar, a pair of knobby pointed protuberances….” –Joe donned his plastic horns and flipped on the illumination button.  “The horns accessorize with anything,” he said, turning them off.   Reading on, he would turn on the horns as a caution device anytime he came to a passage that was grotesque, racy, or scary.  As he got a bit deeper into the story and its characters, the horns went off and on several times.
     “You can’t have a good book without the devil,” he explained at the beginning of the Q & A session, which was, as these things go, excellent.   When asked he mentioned some of his favorite books and writers, Kate Atkinson’s Case Histories, Neil Gaiman, comic books in general and Brian K. Vaughn in particular, David Mitchell (“the most talented writer of his generation”), and Townie, by Andre Dubus, who was here just a week ago.
     He kindly answered the question he surely gets everywhere – what’s it like to have famous writer parents?   (Joe’s ‘rents are Tabitha and Stephen King), and gave a lovely response about how fortunate he had been to grow up in a house where all he knew, really, was “books, writing, and stories.”  Joe said he’d been wanting to come to the South, with an expectation of some kind of Southern Gothic experience for which our literature is famous, but finding instead, almost disappointingly, that “everyone here is really so nice,” then adding, “well, almost nice like Shirley Jackson’s The Lottery.”
    He signed the rest of the books, then was off for catfish at Ajax, where he sat at a front table next to the open windows as pedestrians and a puppy paraded by in the fading daylight savings time.   “I could be happy here,” he said, “right at this window, reading books, having a beer, watching people go by.”   We hope to see him again in Oxford. RH

The Harvard Glee Club stopped by Square Books

The Harvard Glee Club stopped by the bookstore on Saturday, March 19 to hang out and get some coffee before their performance at the Ford Center.

From left: Adam Gann, Josh Baiel, Daniel Rogers, Michael Mellas, Kyle Randall, and Joshua Chi

William Gay & Claude Wilkinson paintings on view at Southside Gallery

Poet, Claude Wilkinson and novelist, essayist and short story writer, William Gay will exhibit their work at Southside Gallery during the month of March. An artists’ reception is scheduled for Friday, March 25 from 6:30 – 8:30 PM. For more information please contact Southside Gallery, 662.234.9090.

William Gay is best known for his novels, The Long Home (1999), Provinces of Night (2000), and Twilight (2006), and his short story collection, I Hate to See that Evening Sun Go Down (2002). The Hohenwald, Tennessee native has signed and read his books at Square Books in Oxford many times before, but this will be the first time he has shown his landscape paintings at Southside Gallery. Mr Gay is the recipient of the 1999 William Peden Award, the 1999 James A. Michener Memorial Prize and a 2002 Guggenheim Fellowship. 

“William’s paintings have a stark and austere quality,” said Cook. “These landscapes really grabbed hold of me emotionally the first time I saw them. There is a mystery to them that is engaging and curious. One can’t walk away from them unresponsive. I feel that fans of William’s literary work will not be surprised to see that he is also a fine painter.”  

Claude Wilkinson, of Nesbit, Mississippi, will feature his landscape paintings and pastels for the first time at Southside Gallery. Mr Wilkinson has won critical acclaim for his poems and art, and has had both featured in numerous literary and art journals. His landscapes have been exhibited both regionally and nationally, as far west as California and as far east as Vermont. He has published two volumes of poetry, Reading the Earth (1998) and Joy in the Morning (2004), and is the recipient of the Naomi Long Madgett Poetry Award, the Whiting Writer’s Award and the Walker E. Dakin Fellowship in Poetry. Mr Wilkinson was the visiting writer-in-residence at Ole Miss from 2000 – 2001.

“This is an exciting exhibit for the gallery, and I really believe the community will share our enthusiasm,” said Southside Gallery’s Wil Cook. “Claude’s work offers a refreshing take on the landscape of northwest Mississippi. He has captured the essence of his home with these pastels and paintings, and I believe they compliment his poetry quite nicely.”