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Given the importance of what they do, and the controversies that often surround them, and the violent people they sometimes confront, it is remarkable that in the history of this country only four active federal judges have been murdered.
Judge Raymond Fawcett has just become number five.
Who is the Racketeer? And what does he have to do with the judge’s untimely demise? His name, for the moment, is Malcolm Bannister. Job status? Former attorney. Current residence? The Federal Prison Camp near Frostburg, Maryland.
On paper, Malcolm’s situation isn’t looking too good these days, but he’s got an ace up his sleeve. He knows who killed Judge Fawcett, and he knows why. The judge’s body was found in his remote lakeside cabin. There was no forced entry, no struggle, just two dead bodies: Judge Fawcett and his young secretary. And one large, state-of-the-art, extremely secure safe, opened and emptied.
What was in the safe? The FBI would love to know. And Malcolm Bannister would love to tell them. But everything has a price—especially information as explosive as the sequence of events that led to Judge Fawcett’s death. And the Racketeer wasn’t born yesterday . . .
Nothing is as it seems and everything’s fair game in this wickedly clever new novel from John Grisham, the undisputed master of the legal thriller.
MEET THE AUTHOR
RECEPTION AT 5
TALK AT 5:30
In the years following World War I, the New Orleans French Quarter attracted artists and writers with low rent, a faded charm, and colorful street life. By the 1920s Jackson Square became the center of a vibrant but short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane, were among the "artful and crafty ones of the French Quarter," In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer and brings to life the people and places of New Orleans in the jazz age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, Sherwood Anderson and Other Famous Creoles. . A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on of the New Orleans art scene in the 1920s and illuminates how this dazzling world faded as quickly as it began.
TUESDAY, OCTOBER 2
RECEPTION AT 5:00, TALK AT 5:30
In September 1962, James Meredith became the first African American
admitted to the University of Mississippi. A milestone in the civil
rights movement, his admission triggered a riot spurred by a mob of
three thousand whites from across the South and all but officially
stoked by the state's segregationist authorities.
James Meredith and the Ole Miss Riot is the memoir of one of the participants, a young army second lieutenant named Henry Gallagher, born and raised in Minnesota. His military police battalion from New Jersey deployed, without the benefit of riot-control practice or advance briefing, into a deadly civil rights confrontation. He was thereafter assigned as the officer-in-charge of Meredith's security detail at a time when he faced very real threats to his life.
account considers the performance of his fellow soldiers before and
after the riot. He writes of the behavior of the white students, some of
them defiant, others perceiving a Communist-inspired Kennedy conspiracy
in Meredith's entry into Mississippi's "flagship" university. The
author depicts the student, Meredith, a man who at times seemed
disconnected with the violent reality that swirled around him, and who
even aspired to be freed of his protectors so that he could just be
another Ole Miss student.