The House of the Scorpion (Paperback)
One of the top five books on our fiction wall over the course of my over twenty years of book selling. Fans of The Hunger Games, The Maze Runner, The Knife of Never Letting Go, and Ship Breaker MUST READ!
Science fiction at its finest - eerily relevant - a stand alone ahead of its time.— From Jill
Matteo Alacrán was not born; he was harvested. His DNA came from El Patrón, lord of a country called Opium—a strip of poppy fields lying between the United States and what was once called Mexico. Matt’s first cell split and divided inside a petri dish. Then he was placed in the womb of a cow, where he continued the miraculous journey from embryo to fetus to baby. He is a boy now, but most consider him a monster—except for El Patrón. El Patrón loves Matt as he loves himself, because Matt is himself.
As Matt struggles to understand his existence, he is threatened by a sinister cast of characters, including El Patrón’s power-hungry family, and he is surrounded by a dangerous army of bodyguards. Escape is the only chance Matt has to survive. But escape from the Alacrán Estate is no guarantee of freedom, because Matt is marked by his difference in ways he doesn’t even suspect.
— Kirkus, starred review
* “This is a powerful, ultimately hopeful story that builds on today's sociopolitical, ethical, and scientific issues and prognosticates a compelling picture of what the future could bring. All of these serious issues are held together by a remarkable coming-of-age story.”
— Booklist, starred review
* “Farmer's novel may be futuristic, but it hits close to home, raising questions of what it means to be human, what is the value of life, and what are the responsibilities of a society. Readers will be hooked from the first page.”
— Publishers Weekly, starred review
“This is mind-expanding fiction for older teens that also works for adults—think Upton Sinclair's The Jungle, Orwell's 1984 or Nevil Shute's On the Beach.”
— USA Today
“Strong, rough, exciting reading.”
— Chicago Tribune
“A story rich in twists and tangles, heroes and heroines, villages and dupes, and often dazzlingly beautiful descriptive prose.”
— The Boston Globe